Lilwin Sparks Controversy Again: Prioritizes Movie Premiere Over National Mourning for Daddy Lumba
Ghanaian actor and filmmaker Kwadwo Nkansah, popularly known as Lilwin, has once again found himself at the center of public outrage—this time for protesting the scheduling of Daddy Lumba’s candlelight vigil on the same day as the premiere of his new movie, “Ibrahim Traore”.
In a Facebook Live session on July 28, Lilwin expressed frustration over the clash, calling the organizers “unfair and inconsiderate” for holding the vigil on August 2, a date he claims was widely known for his film’s debut. “I’ve spent nearly $1 million on this project, and now it’s being overshadowed,” he lamented, emphasizing his financial and emotional investment in the movie.
This is not the first time Lilwin has prioritized personal gain over collective grief. A year ago, tragedy struck when he was involved in a fatal accident that claimed the life of a three-year-old boy. Amid public fury over his apparent indifference to the incident, Lilwin remained fixated on premiering his then-upcoming movie, :A Country Called Ghana”. His refusal to pause promotional activities during a time of mourning drew sharp criticism, with many accusing him of valuing profits over human life. Now, history repeats itself as he protests a memorial for a legendary musician, raising questions about his ability to separate personal ambition from moments of national significance.
The candlelight vigil, organized by the Creative Arts Agency, is set to honor the late highlife icon Daddy Lumba at Accra’s Independence Square on August 2. The event, expected to draw thousands of grieving fans, is a tribute to a man whose music shaped Ghana’s cultural landscape. Yet, Lilwin’s complaints have shifted focus from the legendary musician’s legacy to his own grievances. “Everyone knew my premiere was scheduled for that day,” he argued, as if the mourning of an entire nation should accommodate his personal plans.
Lilwin’s repeated displays of self-centeredness have left many questioning his priorities. Is his life solely about movies and personal gains? His inability to step back during moments of tragedy—whether a child’s death or a national icon’s passing—reveals a troubling pattern. Ghanaians are calling on him to abandon this selfish attitude and show respect for shared grief. The public’s patience is wearing thin, and his reputation risks irreversible damage if he continues to conflate personal ambition with collective loss.
As the debate rages on, one thing is clear: Lilwin’s actions stand in stark contrast to the values of empathy and community that define Ghanaian culture. While his contributions to the film industry are notable, his recurring insensitivity threatens to overshadow his legacy. The nation mourns Daddy Lumba—a time for unity, not self-promotion. Lilwin would do well to pause, reflect, and finally learn that some moments demand humility, not hustle.
